This essay discusses the relationship between vocal categories and individual singers in Verdi's early operas. It focuses in particular on the invention of the baritone, on the status of the other woman, i.e. not the primadonna, and on the tenor, the latter viewed especially in light of the three versions of the romanza for Foresto in act 3 of Attila.
Vocal Categories and Individual Singers in Early Verdi / Senici, EMANUELE GIUSEPPE. - STAMPA. - (2016), pp. 23-38.
Vocal Categories and Individual Singers in Early Verdi
SENICI, EMANUELE GIUSEPPE
2016
Abstract
This essay discusses the relationship between vocal categories and individual singers in Verdi's early operas. It focuses in particular on the invention of the baritone, on the status of the other woman, i.e. not the primadonna, and on the tenor, the latter viewed especially in light of the three versions of the romanza for Foresto in act 3 of Attila.File allegati a questo prodotto
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