This essay discusses the relationship between vocal categories and individual singers in Verdi's early operas. It focuses in particular on the invention of the baritone, on the status of the other woman, i.e. not the primadonna, and on the tenor, the latter viewed especially in light of the three versions of the romanza for Foresto in act 3 of Attila.

Vocal Categories and Individual Singers in Early Verdi / Senici, EMANUELE GIUSEPPE. - STAMPA. - (2016), pp. 23-38.

Vocal Categories and Individual Singers in Early Verdi

SENICI, EMANUELE GIUSEPPE
2016

Abstract

This essay discusses the relationship between vocal categories and individual singers in Verdi's early operas. It focuses in particular on the invention of the baritone, on the status of the other woman, i.e. not the primadonna, and on the tenor, the latter viewed especially in light of the three versions of the romanza for Foresto in act 3 of Attila.
2016
Poetische Ausdruck der Seele: Die Kunst, Verdi zu singen
978-3-940768-60-5
Opera; Verdi; Canto; Attila
02 Pubblicazione su volume::02a Capitolo o Articolo
Vocal Categories and Individual Singers in Early Verdi / Senici, EMANUELE GIUSEPPE. - STAMPA. - (2016), pp. 23-38.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/865026
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