The first chapter of E. Auerbach’s Mimesis (“Odysseus’ scar”) is an impressive tour de force in which the great German philologist lays out the principles and the tools of his method. It is also a subtle piece of militant criticism, where the primacy of the Judaic tradition over classical culture is clearly advocated. This paper investigates some of the peculiarities of Auerbach’s anticlassical stance, which may even owe something to F. Nietzsche’s Birth of Tragedy.
La cicatrice di Odisseo e il 'riflettore' di Erich Auerbach / Lentini, Giuseppe. - In: GAIA. - ISSN 1287-3349. - STAMPA. - 18:(2015), pp. 375-385.
La cicatrice di Odisseo e il 'riflettore' di Erich Auerbach
LENTINI, GIUSEPPE
2015
Abstract
The first chapter of E. Auerbach’s Mimesis (“Odysseus’ scar”) is an impressive tour de force in which the great German philologist lays out the principles and the tools of his method. It is also a subtle piece of militant criticism, where the primacy of the Judaic tradition over classical culture is clearly advocated. This paper investigates some of the peculiarities of Auerbach’s anticlassical stance, which may even owe something to F. Nietzsche’s Birth of Tragedy.File allegati a questo prodotto
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