Arte e rappresentazione nella "Teoria estetica" di Adorno

In Aesthetic Theory, Adorno asked about the role that art must fulfill if it is to survive and maintain its content of truth in a world dominated by the homogenizing tendencies of '"culture industry." In this perspective, the hallmark of artistic form, understood as "sedimented content", is his offer as the implementation of a temporality, and then a memory, immanent in the very structure of the sensitive form. Hence, for Adorno, the critical and utopian indispensable function: its capacity, that is, to demonstrate the possibility of possibile.In Aesthetic Theory, Adorno questions the task That art must carry out, if it wants to survive and 'maintain ITS " truth-content "in a world dominated by the homogenizing tendencies of" "culture industry". " In this perspective, the distinctive features of artistic form, as "" sedimented content "," ITS is offering itself as the implementation of a temporality, and Therefore of a memory, That is immanent to the sensible structure of the form itself. Hence, for Adorno, the non-renounceable critical and utopian function of art: its capacity to reveal The Possibility of the possible.

Nella Teoria estetica, Adorno si interroga sul compito che l’arte deve assolvere se vuole sopravvivere, e mantenere il suo contenuto di verità, in un mondo dominato dalle tendenze omologanti dell’ “industria culturale”. In questa prospettiva, il tratto distintivo della forma artistica, intesa come “contenuto sedimentato”, è il suo offrirsi come la messa in opera di una temporalità, e quindi di una memoria, immanente alla stessa struttura sensibile della forma. Di qui, per Adorno, la sua irrinunciabile funzione critica e utopica: la sua capacità, cioè, di manifestare la possibilità del possibile. In Aesthetic Theory, Adorno questions the task that art must carry out, if it wants to survive and maintain its “truth-content” in a world dominated by the homogenizing tendencies of "culture industry". In this perspective, the distinctive feature of artistic form, as "sedimented content", is its offering itself as the implementation of a temporality, and therefore of a memory, that is immanent to the sensible structure of the form itself. Hence, for Adorno, the non-renounceable critical and utopian function of art: its capacity to reveal the possibility of the possible.