Thirty beautiful icons representing holy images Russian, from the collection owned by Banca Intesa San Paolo, has been exhibited in the Choir of the Nuns of the church of Santa Maria di Donnaregina in Naples. The project of setting up the exhibition, curated by the study Anselmi of Naples, involved the use of wooden caskets, marked by a well-defined geometry and side by side along a curved divided into two sectors,that host each a Marian icon
Trenta splendide icone rappresentanti immagini sacre russe, provenienti dalla collezione di proprietà della Banca Intesa San Paolo, sono state esposte nel Coro delle Monache della chiesa di Santa Maria di Donnaregina a Napoli. Il progetto di allestimento della mostra, curato dallo studio Anselmi di Napoli, ha previsto l’utilizzo di teche di legno che, contraddistinte da una geometria ben definita e affiancate l’una all’altra secondo un andamento curvilineo articolato in due settori, ospitano ciascuna una icona mariana. Thirty beautiful icons representing holy images Russian, from the collection owned by Banca Intesa San Paolo, has been exhibited in the Choir of the Nuns of the church of Santa Maria di Donnaregina in Naples. The project of setting up the exhibition, curated by the study Anselmi of Naples, involved the use of wooden caskets, marked by a well-defined geometry and side by side along a curved divided into two sectors,that host each a Marian icon.
Le Icone della Madre di Dio, dalla collezione Intesa San Paolo. Museo Diocesano di Napoli, 5 dicembre 2013 – 5 aprile 2014 / Martone, Maria. - In: QUAESTIO. - ISSN 2038-5528. - STAMPA. - 29:(2014), pp. 85-86.
Le Icone della Madre di Dio, dalla collezione Intesa San Paolo. Museo Diocesano di Napoli, 5 dicembre 2013 – 5 aprile 2014.
MARTONE, Maria
2014
Abstract
Thirty beautiful icons representing holy images Russian, from the collection owned by Banca Intesa San Paolo, has been exhibited in the Choir of the Nuns of the church of Santa Maria di Donnaregina in Naples. The project of setting up the exhibition, curated by the study Anselmi of Naples, involved the use of wooden caskets, marked by a well-defined geometry and side by side along a curved divided into two sectors,that host each a Marian iconI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.