The adoption of the rhymed quartet and of other traditional medieval Spanish poetry patterns in Unamuno’s "Cancionero" has mainly a condensing and rhythmic function, offering different aspects, from hybrid counterfeits which include medieval themes, going through aphorisms and sayings up to avant-garde experiments which multiply semantic layers.
La adopción de la cuarteta aconsontada y de otras formas tradicionales de tipo cancioneril en el "Cancionero" de Unamuno tiene una función sobre todo condensadora y rítmica, presentando varios aspectos: desde formas imitativas e híbridas que incluyen temas medievales, pasando por aforismos y sentencias, hasta experimentos de tipo vanguardístico que multiplican planos semánticos.
"A fijar con ritmo y rima / el fluyente pensamiento": huellas del Cancionero medieval en el "Cancionero" de Unamuno / VON PRELLWITZ, Norbert. - In: REVISTA DE POÉTICA MEDIEVAL. - ISSN 1137-8905. - STAMPA. - 28(2014), pp. 319-334.
"A fijar con ritmo y rima / el fluyente pensamiento": huellas del Cancionero medieval en el "Cancionero" de Unamuno
VON PRELLWITZ, Norbert
2014
Abstract
The adoption of the rhymed quartet and of other traditional medieval Spanish poetry patterns in Unamuno’s "Cancionero" has mainly a condensing and rhythmic function, offering different aspects, from hybrid counterfeits which include medieval themes, going through aphorisms and sayings up to avant-garde experiments which multiply semantic layers.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
