Even in Italian: Interpretations of Borromini's masterpiece to Wisdom. The reason for the double and other considerations.) Draw No Ideas and Images. 39 december 2009 (pp.50-69) isbn 978-88-492-1852-7 Pdf http://www.arc1.uniroma1.it/saggio/PDFgratis/AntoninoSaggiosant 'ivoDisegnare39.pdf

The article proposes a comprehensive explanation of many of the iconographic elements of Borromini's work at the Sapienza which still poses several questions, to say the least. The main thrust is on the repetitive theme of the corona (or rather of the two corona) and Borromini's use of binary design. The author's interpretation of the spiral on the clerestory is in line with previous studies. Finally, the decisive role of the sphere at the top of the building is also discussed. The iconographic elements are interpreted taking into consideration the way in which Borromini's architectural and spatial choices developed over time. Iconography is never a decorative layer laid over unrelated spatial material: reinforced by spatial and organisational decisions, iconographic choices represent the building's power house. The "pattern" in Sant'Ivo lies in this indissoluble mix; it is the nerve centre of Borromini's design and, at the same time, the secret behind the building.

Interpretations of Borromini's masterpiece at the Sapienza. The reasons for doubles and other considerations / Saggio, Antonino. - In: DISEGNARE IDEE IMMAGINI. - ISSN 1123-9247. - 20:(2009), pp. 50-59.

Interpretations of Borromini's masterpiece at the Sapienza. The reasons for doubles and other considerations

SAGGIO, Antonino
2009

Abstract

Even in Italian: Interpretations of Borromini's masterpiece to Wisdom. The reason for the double and other considerations.) Draw No Ideas and Images. 39 december 2009 (pp.50-69) isbn 978-88-492-1852-7 Pdf http://www.arc1.uniroma1.it/saggio/PDFgratis/AntoninoSaggiosant 'ivoDisegnare39.pdf
2009
The article proposes a comprehensive explanation of many of the iconographic elements of Borromini's work at the Sapienza which still poses several questions, to say the least. The main thrust is on the repetitive theme of the corona (or rather of the two corona) and Borromini's use of binary design. The author's interpretation of the spiral on the clerestory is in line with previous studies. Finally, the decisive role of the sphere at the top of the building is also discussed. The iconographic elements are interpreted taking into consideration the way in which Borromini's architectural and spatial choices developed over time. Iconography is never a decorative layer laid over unrelated spatial material: reinforced by spatial and organisational decisions, iconographic choices represent the building's power house. The "pattern" in Sant'Ivo lies in this indissoluble mix; it is the nerve centre of Borromini's design and, at the same time, the secret behind the building.
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Interpretations of Borromini's masterpiece at the Sapienza. The reasons for doubles and other considerations / Saggio, Antonino. - In: DISEGNARE IDEE IMMAGINI. - ISSN 1123-9247. - 20:(2009), pp. 50-59.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/71085
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