The article reports the results of a content analysis of 815 Italian commercials and a qualitative research on some case studies. The study aims to determine the level of sex typing in the Italian advertising and try to find some new portrayals of men and women. If the content analysis confirms the perpetuation of old stereotypes in the Italian commercials, the qualitative research reveals a timid transgression of traditional gender representations. Sometimes, women are depicted as professionals and ambitious workers, inserted in different workplaces and not confined at home, flanked by men and not only driven by them. Occasionally, men are depicted at home, in the role of father or as a sexual object. However, the “new” portrayals do not imply a reduction of the differences between men and women; rather they articulate the gender diversity in a more subtle form. On the one hand, the Italian commercials reassure traditional identities, pushing them towards consumptions that destabilize the gender order. On the other hand, they promote a new awareness and attention to the gender complexity, anchoring it to traditional consumptions. Even if the new portrayals are few and do not constitute a trend, they prove that the topic is more complex than it seems, and the issues are much more nuanced than in the past.
Sui generis. Gender portrayals in the italian television advertising / Panarese, Paola. - In: ANÀLISI. - ISSN 0211-2175. - ELETTRONICO. - 50:(2014), pp. 99-115. [http:// dx.doi.org/10.7238/a.v0i50.2274]
Sui generis. Gender portrayals in the italian television advertising
PANARESE, Paola
2014
Abstract
The article reports the results of a content analysis of 815 Italian commercials and a qualitative research on some case studies. The study aims to determine the level of sex typing in the Italian advertising and try to find some new portrayals of men and women. If the content analysis confirms the perpetuation of old stereotypes in the Italian commercials, the qualitative research reveals a timid transgression of traditional gender representations. Sometimes, women are depicted as professionals and ambitious workers, inserted in different workplaces and not confined at home, flanked by men and not only driven by them. Occasionally, men are depicted at home, in the role of father or as a sexual object. However, the “new” portrayals do not imply a reduction of the differences between men and women; rather they articulate the gender diversity in a more subtle form. On the one hand, the Italian commercials reassure traditional identities, pushing them towards consumptions that destabilize the gender order. On the other hand, they promote a new awareness and attention to the gender complexity, anchoring it to traditional consumptions. Even if the new portrayals are few and do not constitute a trend, they prove that the topic is more complex than it seems, and the issues are much more nuanced than in the past.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.