This paper examines the reaction of the Chinese Government to the Michelangelo Antonioni’s documentary film, Chung-kuo, shot in 1973. The fil was banned and Antonioni became the target of a criticism campaign, launched by the pages of People’s Daily. Were these har attacks indications of internal conflicts in the CCP or were they violent –indirect – criticism to the “revisionist and socialimperialist” policy adopted by the Italian Communist Party as judged by the CCP?
L'articolo prende in esame la reazione che il governo cinese manifestò, nel gennaio del 1974, nei confronti del documentario Chung-kuo, girato da Michelangelo Antonioni in Cina, pochi mesi prima. I duri attacchi lanciati dal governo cinese, dalle pagine del Quotidiano del popolo, furono espressione di una lotta interna al Pcc o critiche violente alla politica "revisionista e socialimperialista" che il PCI conduceva in quegli anni a detta dei compagni cinesi?
Michelangelo Antonioni e la Cina / Brezzi, Alessandra. - In: SULLA VIA DEL CATAI. - ISSN 1970-3449. - STAMPA. - 5:(2010), pp. 81-91.
Michelangelo Antonioni e la Cina
BREZZI, ALESSANDRA
2010
Abstract
This paper examines the reaction of the Chinese Government to the Michelangelo Antonioni’s documentary film, Chung-kuo, shot in 1973. The fil was banned and Antonioni became the target of a criticism campaign, launched by the pages of People’s Daily. Were these har attacks indications of internal conflicts in the CCP or were they violent –indirect – criticism to the “revisionist and socialimperialist” policy adopted by the Italian Communist Party as judged by the CCP?I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
