Designing religious buildings in recent decades has become for architects the ultimate expressive opportunity offered by the pop-star production of globalized contemporary architecture. It is as if the inherited worship tradition is no longer relevant to the definition of spatial properties and meanings. Devoid of inner and spiritual meanings, the religious space loses any sacral aura and therefore its very identity. Nevertheless, there is another theoretical approach that is in strict continuity with the past, without any mimicry or historicism, but based on a morphological approach.
Designing religious buildings in recent decades has become for architects the ultimate expressive opportunity offered by the pop-star production of globalized contemporary architecture. It is as if the inherited worship tradition is no longer relevant to the definition of spatial properties and meanings. Devoid of inner and spiritual meanings, the religious space loses any sacral aura and therefore its very identity. Nevertheless, there is another theoretical approach that is in strict continuity with the past, without any mimicry or historicism, but based on a morphological approach.
Edilizia per il culto: chiese, moschee, sinagoghe, strutture cimiteriali edited by Giuseppe Strappa / Camiz, Alessandro. - In: URBAN MORPHOLOGY. - ISSN 1027-4278. - STAMPA. - (2014) 18(2)(2014), pp. 83-84.
Edilizia per il culto: chiese, moschee, sinagoghe, strutture cimiteriali edited by Giuseppe Strappa
CAMIZ, Alessandro
2014
Abstract
Designing religious buildings in recent decades has become for architects the ultimate expressive opportunity offered by the pop-star production of globalized contemporary architecture. It is as if the inherited worship tradition is no longer relevant to the definition of spatial properties and meanings. Devoid of inner and spiritual meanings, the religious space loses any sacral aura and therefore its very identity. Nevertheless, there is another theoretical approach that is in strict continuity with the past, without any mimicry or historicism, but based on a morphological approach.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.