Arthur Danto distinguishes between “disturbing art” and “disturbational art”: the first moves within the boundaries of art, without questioning them; the second trys paradoxically to overcome the difference between art and reality. Starting from these differences, this essay deals with the relationship between art and reality in Danto and Adorno’s philosophy
Arthur Danto distingue tra “arte disturbante” e “arte disturbazionale”: la prima si muove all’interno dei confini dell’arte, senza metterli in discussione; la seconda cerca paradossalmente di superare la differenza tra arte e realtà. A partire da queste differenze il saggio affronta il rapporto tra arte e realtà nella filosofia di Danto e di Adorno
Arte e realtà in Danto e Adorno / Marchetti, Luca. - In: PARADIGMI. - ISSN 1120-3404. - STAMPA. - 2:XXVIII(2010), pp. 43-54.
Arte e realtà in Danto e Adorno
MARCHETTI, Luca
2010
Abstract
Arthur Danto distinguishes between “disturbing art” and “disturbational art”: the first moves within the boundaries of art, without questioning them; the second trys paradoxically to overcome the difference between art and reality. Starting from these differences, this essay deals with the relationship between art and reality in Danto and Adorno’s philosophyI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.