Da Orfeo ad Anfione: mitizzazioni corelliane e il primato di Roma (ripensando la classicità di Corelli)

The study interprets the orchestral music of Corelli in the context of the papal project (Clement XI) recovery of the imago Urbis by imposing architectural initiatives. Said, "Amphion of our times," Corelli was intended 'architect' as the author can build with geometric rationality and instrumental composition, therefore, to build monuments to sound greater glory of Rome and the papacy. The study reconsiders Corelli's Role Within Pope Clement XI's project of renewal of the Imago Urbis by means of great architectural Initiatives. Named "Amphion of our times," Corelli was Considered a musical architect since he was Able to give to the geometric rationality and instrumental composition was then built Able to musical monuments to the glory of Rome and of the Pope. It requires that the product is subjected to peer review and assessment with bibliometric criteria.

Lo studio interpreta la musica orchestrale di Corelli nel contesto del progetto pontificio (Clemente XI) di rilancio dell'imago Urbis tramite imponenti iniziative architettoniche. Detto «Anfione dei nostri tempi», Corelli venne inteso 'architetto' in quanto autore in grado di costruire con geometrica razionalità la composizione strumentale e, pertanto, di edificare monumenti sonori a maggior gloria di Roma e del papato. The study reconsiders Corelli's role within Pope Clement XI's project of renewal of the imago Urbis by means of great architectural initiatives. Named «Amphion of our times», Corelli was considered a musical architect since he was able to give geometric rationality to the instrumental composition and was then able to built musical monuments to the glory of Rome and of the Pope. Si richiede che il prodotto sia sottoposto a peer review e non a valutazione con criteri bibliometrici.