Examines Garibaldi’s iconography as a site of political conflict in the late nineteenth and early twentieth centuries. Through monuments, photographs, cartoons, lithographs and illustrated postcards, the study shows how the image of the «disciplined revolutionary», employed to le- gitimize the monarchy, was countered in republican and anarchist-socialist circles by the antagonistic figure of Garibaldi as a hero of the people – a symbol of political and social emancipation that remained unreconciled.
Il rivoluzionario indisciplinato: immagini di Garibaldi all'Estrema / Papadia, E.. - In: MEMORIA E RICERCA. - ISSN 1127-0195. - n. 80:Anno XXXIII, Nuova Serie, settembre-dicembre 2025(2025), pp. 554-565.
Il rivoluzionario indisciplinato: immagini di Garibaldi all'Estrema
Elena Papadia
2025
Abstract
Examines Garibaldi’s iconography as a site of political conflict in the late nineteenth and early twentieth centuries. Through monuments, photographs, cartoons, lithographs and illustrated postcards, the study shows how the image of the «disciplined revolutionary», employed to le- gitimize the monarchy, was countered in republican and anarchist-socialist circles by the antagonistic figure of Garibaldi as a hero of the people – a symbol of political and social emancipation that remained unreconciled.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


