Abstract. The contribution analyses how Franco Purini elaborated, through two emblematic projects – the Projects of Destruction (1992) and the Equal City (Venice Biennale, 2000) – a sy- stematic reflection on the urban form of Rome, founded on the dialectical relationship betwe- en morphological knowledge and design invention. The Projects of Destruction, nine plates in which Purini erases and alters the city starting from the constitutive rules that define it, are inter- preted as a reductio ad absurdum that, through the destructive act, makes legible the deep structures of the urban text. The Equal City, presented at the Venice Biennale of 2000, represen- ts instead the utopian and visionary moment of this trajectory: a demonstrative city, founded on the modular grid and on the equality of dwelling conditions, which critically interrogates the contemporary city. The essay proposes to read this trajectory as a form of archaeology of the project, capable of activating new relations among historical permanences, urban space and the possible transformations of the city.
Dai Progetti di distruzione alla Città uguale. Teoria e visione della città / Nencini, D.. - (2026), pp. 126-137. (City Renewal and Urban Archaeology. The Morphological Value of City Traces Napoli ).
Dai Progetti di distruzione alla Città uguale. Teoria e visione della città
Dina Nencini
2026
Abstract
Abstract. The contribution analyses how Franco Purini elaborated, through two emblematic projects – the Projects of Destruction (1992) and the Equal City (Venice Biennale, 2000) – a sy- stematic reflection on the urban form of Rome, founded on the dialectical relationship betwe- en morphological knowledge and design invention. The Projects of Destruction, nine plates in which Purini erases and alters the city starting from the constitutive rules that define it, are inter- preted as a reductio ad absurdum that, through the destructive act, makes legible the deep structures of the urban text. The Equal City, presented at the Venice Biennale of 2000, represen- ts instead the utopian and visionary moment of this trajectory: a demonstrative city, founded on the modular grid and on the equality of dwelling conditions, which critically interrogates the contemporary city. The essay proposes to read this trajectory as a form of archaeology of the project, capable of activating new relations among historical permanences, urban space and the possible transformations of the city.| File | Dimensione | Formato | |
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