This essay explores the concept of urban threshold spaces as zones of physical, perceptual, and symbolic transition between city and architecture. The São Paulo Museum of Art (MASP) is analysed as a case study where the elevated structure generates a shared urban void, returning public space to the city. The research focuses on the threshold as a space of encounter, where movement and permanence coexist, highlighting how exposed reinforced concrete mediates between architecture and social life, fostering inclusive and collective urban experiences.

Soglie Urbane, Floating Volumes. Esperienza percettiva dell’architettura paulista / Rizzi, Leonardo. - In: IN FOLIO. - ISSN 1828-2482. - 46:(2025), pp. 54-66.

Soglie Urbane, Floating Volumes. Esperienza percettiva dell’architettura paulista

Leonardo Rizzi
2025

Abstract

This essay explores the concept of urban threshold spaces as zones of physical, perceptual, and symbolic transition between city and architecture. The São Paulo Museum of Art (MASP) is analysed as a case study where the elevated structure generates a shared urban void, returning public space to the city. The research focuses on the threshold as a space of encounter, where movement and permanence coexist, highlighting how exposed reinforced concrete mediates between architecture and social life, fostering inclusive and collective urban experiences.
2025
urban thresholds; floating Volumes; exposed concrete; perception of transitional spaces; paulista school
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Soglie Urbane, Floating Volumes. Esperienza percettiva dell’architettura paulista / Rizzi, Leonardo. - In: IN FOLIO. - ISSN 1828-2482. - 46:(2025), pp. 54-66.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1760629
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