Music Museums in the Age of 3D Reproduction: Access, Potential, Challenges

This study explores the application of 3D printing to reproduce historical woodwind instruments from the Royal College of Music Museum’s collection, aiming to enable safe performance and research without risking original artifacts. Focusing on ivory and boxwood instruments, the project uses CT scanning to create precise digital models, which are then printed in materials like Nylon-12 and ceramic-resin composites. Digital restoration preserves original imperfections to maintain historical authenticity. Initial tests show promising acoustic and tactile fidelity, especially with BASF’s ceramic-resin, which closely mimics ivory. Copies are scaled to 415 Hz for modern early music practice. The project, a collaboration with the University of Turin, evaluates materials, acoustics, and usability, with future plans for perceptual studies and dissemination. While not replacing handcrafted instruments, 3D printing offers affordable, accurate reproductions that could revitalize access to historical collections for performers and educators, bridging heritage preservation with contemporary musical practice.