The essay contributes to the research on Goethe’s reception of Dante and focusses in particular on the Dantesque influences in Goethe’s novel Wilhelm Meisters Lehrjahre. Beginning by reconstructing the essential stages of Goethe-Dante research, the essay then highlights the multiple analogies between Beatrice from Dante’s Vita nova and Goethe’s beautiful Amazon (schöne Amazone) against the background of medieval pneumophantasmology. The transition occurring within Goethe’s novel from the beautiful Amazon to the beautiful-souled Natalie is then paralleled with the evolution of the figure of Beatrice up to the Divina Commedia, and is understood in the sense of a sublimation from a phantasmatic conception of love to one that is objectified and functionalized in terms of salvation history. Finally, the moment of castration intrinsic to this sublimation process and incarnated through Mignon’s death is brought to the fore and justified on the basis of medieval pneumophantasmology.
Zur Chiffrierung dantesker Einschläge in Goethes Roman 'Wilhelm Meisters Lehrjahre' / Niero, Alessandro. - In: JAHRBUCH DER DEUTSCHEN SCHILLERGESELLSCHAFT. - ISSN 0070-4318. - 2024:68(2025), pp. 125-154. [10.46500/83535662-006]
Zur Chiffrierung dantesker Einschläge in Goethes Roman 'Wilhelm Meisters Lehrjahre'
Niero, Alessandro
2025
Abstract
The essay contributes to the research on Goethe’s reception of Dante and focusses in particular on the Dantesque influences in Goethe’s novel Wilhelm Meisters Lehrjahre. Beginning by reconstructing the essential stages of Goethe-Dante research, the essay then highlights the multiple analogies between Beatrice from Dante’s Vita nova and Goethe’s beautiful Amazon (schöne Amazone) against the background of medieval pneumophantasmology. The transition occurring within Goethe’s novel from the beautiful Amazon to the beautiful-souled Natalie is then paralleled with the evolution of the figure of Beatrice up to the Divina Commedia, and is understood in the sense of a sublimation from a phantasmatic conception of love to one that is objectified and functionalized in terms of salvation history. Finally, the moment of castration intrinsic to this sublimation process and incarnated through Mignon’s death is brought to the fore and justified on the basis of medieval pneumophantasmology.| File | Dimensione | Formato | |
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