Photographic Memory (2011) by Ross McElwee is an autobiographical documentary that reflects on the generational relationship between the filmmaker and his son. The film can be understood as a reflection on the failure of the technical exteriorization of memory, which compels the self to undertake the effort of narrative construction. The article argues that the sense of photographic testimony is structured through a confrontation with the biography of the other, in a play of identity and difference that can be conceptualized through the concept of transindividual developed by Gilbert Simondon.
Estetica e tecnologie della memoria: Photographic memory / Pioli, Nicolo. - In: FATA MORGANA. - ISSN 1970-5786. - 55:(2025), pp. 197-205.
Estetica e tecnologie della memoria: Photographic memory
Nicolo Pioli
2025
Abstract
Photographic Memory (2011) by Ross McElwee is an autobiographical documentary that reflects on the generational relationship between the filmmaker and his son. The film can be understood as a reflection on the failure of the technical exteriorization of memory, which compels the self to undertake the effort of narrative construction. The article argues that the sense of photographic testimony is structured through a confrontation with the biography of the other, in a play of identity and difference that can be conceptualized through the concept of transindividual developed by Gilbert Simondon.| File | Dimensione | Formato | |
|---|---|---|---|
|
Pioli_Estetica-e-tecnologie-della-memoria_2025.pdf
solo gestori archivio
Tipologia:
Documento in Post-print (versione successiva alla peer review e accettata per la pubblicazione)
Licenza:
Tutti i diritti riservati (All rights reserved)
Dimensione
542.34 kB
Formato
Adobe PDF
|
542.34 kB | Adobe PDF | Contatta l'autore |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


