This article provides a systematic and thorough analysis of Boccaccio’s esposizioni on the second canto of Dante’s Inferno. In the two lecturae devoted to this canto, Boccaccio tests a wide range of exegetical methods, ranging from linguistic and stylistic glosses to erudite or moralizing digressions. These diverse approaches combine classical and biblical sources, as well as extensive self-translations or re-writings of his previous works. Particular emphasis is given to issues related to po-etry, which are to be reframed within the wider context of Boccaccio’s erudite pro-ject. This section of the Esposizioni thus privileges the classical world over the Christian one and the human microcosm over the macrocosm.

Esposizione 2. La poesia e l'uomo / Tomazzoli, Gaia. - In: HELIOTROPIA. - ISSN 1542-3352. - 21(2024), pp. 61-90.

Esposizione 2. La poesia e l'uomo

Gaia Tomazzoli
2024

Abstract

This article provides a systematic and thorough analysis of Boccaccio’s esposizioni on the second canto of Dante’s Inferno. In the two lecturae devoted to this canto, Boccaccio tests a wide range of exegetical methods, ranging from linguistic and stylistic glosses to erudite or moralizing digressions. These diverse approaches combine classical and biblical sources, as well as extensive self-translations or re-writings of his previous works. Particular emphasis is given to issues related to po-etry, which are to be reframed within the wider context of Boccaccio’s erudite pro-ject. This section of the Esposizioni thus privileges the classical world over the Christian one and the human microcosm over the macrocosm.
2024
Dante; Boccaccio; Medieval Italian literature; commentary; philology;
01 Pubblicazione su rivista::01a Articolo in rivista
Esposizione 2. La poesia e l'uomo / Tomazzoli, Gaia. - In: HELIOTROPIA. - ISSN 1542-3352. - 21(2024), pp. 61-90.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1737472
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