This essay provides an overview of the collecting experiences in the Palazzo Doria Pamphili at the Collegio Romano, between 1839 and 1856, by Prince Filippo Andrea V Doria Pamphili (1815-1876) and his wife, Princess Mary Talbot (1818-1856). The analysis of archivial materials deposited in Archivio Doria Pamphili and Archivio di Stato di Roma, like the catalogs and the travel literature, allowed to focus the role played by the Doria Pamphili in the promotion the arts in Rome during the XIX century. In the same years began the works for the inner post-neoclassical decoration and the modernization of the palace that were supervised by Tommaso Minardi and were realized by Annibale Angelini, Filippo Vittori and local craftsmen.
Primi studi su Filippo Andrea V Doria Pamphili e Mary Talbot. Committenti e collezionisti d'arte (1835-1856) / Cittadini, Martina. - In: STUDI DI STORIA DELL'ARTE. - ISSN 1123-5683. - 35:(2025), pp. 243-258.
Primi studi su Filippo Andrea V Doria Pamphili e Mary Talbot. Committenti e collezionisti d'arte (1835-1856)
Martina Cittadini
2025
Abstract
This essay provides an overview of the collecting experiences in the Palazzo Doria Pamphili at the Collegio Romano, between 1839 and 1856, by Prince Filippo Andrea V Doria Pamphili (1815-1876) and his wife, Princess Mary Talbot (1818-1856). The analysis of archivial materials deposited in Archivio Doria Pamphili and Archivio di Stato di Roma, like the catalogs and the travel literature, allowed to focus the role played by the Doria Pamphili in the promotion the arts in Rome during the XIX century. In the same years began the works for the inner post-neoclassical decoration and the modernization of the palace that were supervised by Tommaso Minardi and were realized by Annibale Angelini, Filippo Vittori and local craftsmen.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.