This article examines the ends of lyric poetry in the teleological sense (il fine) by investigating the end (la fine) of certain poems—the textual endings and instances of closure (or lack thereof), i.e., the final strophe, the final verse. In particular, it analyzes some exemplary instances of non-closure in modern and contemporary (mostly Italian) poetry. Drawing on Giorgio Agamben and Timothy Bahti, it explores a peculiar form of non-closure, namely, endings of poems that, by means of self-reflexivity, repetition, and chiastic structures, re-direct the text and its reader back towards its beginning, toward a new reading.

Sounding Ends and Endings: Non-Closure in Modern and Contemporary Poetry / Italiano, Federico. - In: CALIFORNIA ITALIAN STUDIES. - ISSN 2155-7926. - 8:1(2018), pp. 1-16. [10.5070/C381038264]

Sounding Ends and Endings: Non-Closure in Modern and Contemporary Poetry

Federico Italiano
Primo
2018

Abstract

This article examines the ends of lyric poetry in the teleological sense (il fine) by investigating the end (la fine) of certain poems—the textual endings and instances of closure (or lack thereof), i.e., the final strophe, the final verse. In particular, it analyzes some exemplary instances of non-closure in modern and contemporary (mostly Italian) poetry. Drawing on Giorgio Agamben and Timothy Bahti, it explores a peculiar form of non-closure, namely, endings of poems that, by means of self-reflexivity, repetition, and chiastic structures, re-direct the text and its reader back towards its beginning, toward a new reading.
2018
poetry; theory of poetry; italian poetry; contemporary poetry; chiasm; closure; ending; end;
01 Pubblicazione su rivista::01a Articolo in rivista
Sounding Ends and Endings: Non-Closure in Modern and Contemporary Poetry / Italiano, Federico. - In: CALIFORNIA ITALIAN STUDIES. - ISSN 2155-7926. - 8:1(2018), pp. 1-16. [10.5070/C381038264]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1731867
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