Between 1676 and 1678 the eighth Duchess of the Infantado, Catalina de Sandoval y Mendoza, commissioned the master builder Manuel del Olmo to work on several palaces belonging to her lineage. These were the two urban palaces, the Armería and the palace of the Infantado, the suburban palace of the site of the Forest and Grove of Heras, and the small villages of Maluque and Fresno. All of these were located in Guadalajara and the environs around it, which was the neuralgic core of the duchy before its transfer, three decades earlier, to Madrid. These works are described in precise reports of repairs. Its analysis allows us to understand the relationship between the nobility and their palatine architecture in the context of the Ancien Régime. They featured interesting interventions with the aim of keeping the codes of representation of the lineage's most famous past legible. Contrary to what might be expected, the works not always relied on uniformity or on the use of a baroque language. These unpublished documents and their contextualisation led us to affirm that there was an effective and deliberate precedent in the protection of these possessions. This was due to the rhetorical role they played, rather than a simple maintenance action. Their preservation made it possible to remember and reconstruct a narration of the duchy and its legitimacy in a period of decline for the Spanish nobility.

Las ‘condiciones de reparos’ de Manuel del Olmo encargadas por la VIII duquesa del Infantado, ¿una anticipación en la tutela de la arquitectura palatina? / GONZALEZ DUQUE, Carlos. - In: ANALES DE HISTORIA DEL ARTE. - ISSN 0214-6452. - 34(2024), pp. 63-85. [10.5209/anha.94252]

Las ‘condiciones de reparos’ de Manuel del Olmo encargadas por la VIII duquesa del Infantado, ¿una anticipación en la tutela de la arquitectura palatina?

GONZALEZ DUQUE, CARLOS
2024

Abstract

Between 1676 and 1678 the eighth Duchess of the Infantado, Catalina de Sandoval y Mendoza, commissioned the master builder Manuel del Olmo to work on several palaces belonging to her lineage. These were the two urban palaces, the Armería and the palace of the Infantado, the suburban palace of the site of the Forest and Grove of Heras, and the small villages of Maluque and Fresno. All of these were located in Guadalajara and the environs around it, which was the neuralgic core of the duchy before its transfer, three decades earlier, to Madrid. These works are described in precise reports of repairs. Its analysis allows us to understand the relationship between the nobility and their palatine architecture in the context of the Ancien Régime. They featured interesting interventions with the aim of keeping the codes of representation of the lineage's most famous past legible. Contrary to what might be expected, the works not always relied on uniformity or on the use of a baroque language. These unpublished documents and their contextualisation led us to affirm that there was an effective and deliberate precedent in the protection of these possessions. This was due to the rhetorical role they played, rather than a simple maintenance action. Their preservation made it possible to remember and reconstruct a narration of the duchy and its legitimacy in a period of decline for the Spanish nobility.
2024
Entre 1676 y 1678 la octava duquesa del Infantado, Catalina de Sandoval y Mendoza, encargó al maestro de obras Manuel del Olmo la intervención en varios palacios de su mayorazgo. Se trataba de las dos casas urbanas, la Armería y las principales del Infantado, el palacio del Bosque y Soto de Heras, y las aldeas de Maluque y Fresno. Todas ellas situadas en Guadalajara y su entorno, que fue el enclave neurálgico del ducado antes de su traslado, tres décadas atrás, a Madrid. Estas obras quedan descritas por unas precisas condiciones de reparos, cuyo análisis nos permite comprender la relación de la nobleza con su arquitectura palatina en el contexto del Antiguo Régimen. En ellas se describían interesantes intervenciones, no siempre basadas en la uniformización ni en el empleo del lenguaje barroco, sino con la voluntad de mantener legibles los códigos de representación del pasado más célebre del ducado. Estos documentos inéditos y su contextualización, nos hacen afirmar que, más allá de una simple acción de mantenimiento, hubo un antecedente efectivo y deliberado en la tutela o custodia de estos bienes, debido al papel retórico que desplegaban. Su preservación permitía recordar y reconstruir un relato sobre el linaje y su legitimidad en un marco de declive de la nobleza.
Restauración; arquitectura palatina; ducado del Infantado; Manuel del Olmo; Guadalajara
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Las ‘condiciones de reparos’ de Manuel del Olmo encargadas por la VIII duquesa del Infantado, ¿una anticipación en la tutela de la arquitectura palatina? / GONZALEZ DUQUE, Carlos. - In: ANALES DE HISTORIA DEL ARTE. - ISSN 0214-6452. - 34(2024), pp. 63-85. [10.5209/anha.94252]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1725632
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