This research explores the dynamic interplay between representation and contemporary art, revealing its multifaceted aspects beyond mere imitation. In today’s artistic milieu, representation acts as a channel for delving into social, political, and personal themes, surpassing traditional confines and provoking thoughtful contem-plation. Whether through analog or digital methods, artists utilize drawing as a versa-tile medium to express concepts and profound emotions, pushing the boundaries of established aesthetics and nurturing innovation. The evolution of this relationship is intricately woven with the fabric of societal, technological, and cultural changes, prompting artists to experiment with unconventional materials and processes. From engaging with postmodern themes to addressing pressing global concerns such as human rights and environmental sustainability, contemporary artists navigate a complex terrain that reflect the multifaceted nature of modern society. The work of Shirin Abedinirad serves as a compelling example of the fusion of artistic expres-sion and cultural commentary. Through her installations, she intricately intertwines elements of cultural identity, spirituality, and environmental awareness, inviting viewers to contemplate their place in the universe and their relationship with the natural world. By incorporating mirrors and organic materials, Abedinirad creates immersive experiences that challenge traditional notions of art and space, prompting introspection and dialogue on interconnectedness and sustainability.

Contemporary Art in Reality versus Images, an Analysis of the Work of Shirin Abedinirad / Ippolito, Alfonso; Mezzino, Davide; Porfiri, Francesca; DI PACE, Salvatore; NOUSRATI KORDKANDI, Mahsa; Ahmed, NADA MOKHTAR MOHAMED SAYED; Panunzi, Rachele. - (2024), pp. 45-65. [10.1007/978-3-031-65104-5].

Contemporary Art in Reality versus Images, an Analysis of the Work of Shirin Abedinirad

Alfonso Ippolito;Francesca Porfiri;Salvatore Di Pace;Mahsa Nousrati Kordkandi;Nada Mokhtar Mohamed Sayed Ahmed;Rachele Panunzi
2024

Abstract

This research explores the dynamic interplay between representation and contemporary art, revealing its multifaceted aspects beyond mere imitation. In today’s artistic milieu, representation acts as a channel for delving into social, political, and personal themes, surpassing traditional confines and provoking thoughtful contem-plation. Whether through analog or digital methods, artists utilize drawing as a versa-tile medium to express concepts and profound emotions, pushing the boundaries of established aesthetics and nurturing innovation. The evolution of this relationship is intricately woven with the fabric of societal, technological, and cultural changes, prompting artists to experiment with unconventional materials and processes. From engaging with postmodern themes to addressing pressing global concerns such as human rights and environmental sustainability, contemporary artists navigate a complex terrain that reflect the multifaceted nature of modern society. The work of Shirin Abedinirad serves as a compelling example of the fusion of artistic expres-sion and cultural commentary. Through her installations, she intricately intertwines elements of cultural identity, spirituality, and environmental awareness, inviting viewers to contemplate their place in the universe and their relationship with the natural world. By incorporating mirrors and organic materials, Abedinirad creates immersive experiences that challenge traditional notions of art and space, prompting introspection and dialogue on interconnectedness and sustainability.
2024
Contemporary Heritage Lexicon Volume 1
978-3-031-65103-8
Digitization; Visual representation; Land art; Interactive installation; 3D modelling
02 Pubblicazione su volume::02a Capitolo o Articolo
Contemporary Art in Reality versus Images, an Analysis of the Work of Shirin Abedinirad / Ippolito, Alfonso; Mezzino, Davide; Porfiri, Francesca; DI PACE, Salvatore; NOUSRATI KORDKANDI, Mahsa; Ahmed, NADA MOKHTAR MOHAMED SAYED; Panunzi, Rachele. - (2024), pp. 45-65. [10.1007/978-3-031-65104-5].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1723636
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