This paper aims to attribute an unpublished seventeen-century pictorial copy of Tiziano's Assassination of Saint Peter Martyr, kept in the private collection of the Inghirami family in Volterra, to the Flemish-born painter Livio Mehus. The canvas shows stylistic traits strictly comparable to the artistic language of the aforementioned painter, whose employment as a copyist from Venetian masters for the Medici dinasty is well documented by coeval inventories and biographies. Moreover, Mehus artistic manner was appreciated by the Pratese branch of the same Inghirami family, who in 1683 commissioned to the painter a monumental altarpiece for their chapel in Prato Cathedral. I consider to identify the Volterra painting with the copy of Tiziano’s Assassination of Saint Peter Martyr painted by Mehus for Mattias de’ Medici and reported in 1659 and 1669 inventories of his Villa of Lappeggi. Finally, I suggest that the painting could have been moved from Lappeggi to Volterra during the second or third decade of nineteenth-century, when the villa was bought by a close acquaintance of the Inghirami family, captain Gioacchino Cambiagi.

Una sconosciuta copia seicentesca del Martirio di San Pietro da Verona di Tiziano nella collezione Inghirami di Volterra / Taddei, Sergio. - In: ARTE VENETA. - ISSN 0392-5234. - 80:(2024), pp. 216-224.

Una sconosciuta copia seicentesca del Martirio di San Pietro da Verona di Tiziano nella collezione Inghirami di Volterra

Sergio Taddei
2024

Abstract

This paper aims to attribute an unpublished seventeen-century pictorial copy of Tiziano's Assassination of Saint Peter Martyr, kept in the private collection of the Inghirami family in Volterra, to the Flemish-born painter Livio Mehus. The canvas shows stylistic traits strictly comparable to the artistic language of the aforementioned painter, whose employment as a copyist from Venetian masters for the Medici dinasty is well documented by coeval inventories and biographies. Moreover, Mehus artistic manner was appreciated by the Pratese branch of the same Inghirami family, who in 1683 commissioned to the painter a monumental altarpiece for their chapel in Prato Cathedral. I consider to identify the Volterra painting with the copy of Tiziano’s Assassination of Saint Peter Martyr painted by Mehus for Mattias de’ Medici and reported in 1659 and 1669 inventories of his Villa of Lappeggi. Finally, I suggest that the painting could have been moved from Lappeggi to Volterra during the second or third decade of nineteenth-century, when the villa was bought by a close acquaintance of the Inghirami family, captain Gioacchino Cambiagi.
2024
Tiziano; Martirio di San Pietro da Verona; copie da Tiziano; Livio Mehus; Volterra; pittura veneta; pittura fiamminga del Seicento; pittura fiorentina del Seicento;; collezionismo
01 Pubblicazione su rivista::01a Articolo in rivista
Una sconosciuta copia seicentesca del Martirio di San Pietro da Verona di Tiziano nella collezione Inghirami di Volterra / Taddei, Sergio. - In: ARTE VENETA. - ISSN 0392-5234. - 80:(2024), pp. 216-224.
File allegati a questo prodotto
File Dimensione Formato  
Taddei_Inghirami_2024.pdf

solo gestori archivio

Tipologia: Versione editoriale (versione pubblicata con il layout dell'editore)
Licenza: Tutti i diritti riservati (All rights reserved)
Dimensione 1.49 MB
Formato Adobe PDF
1.49 MB Adobe PDF   Contatta l'autore

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1718233
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact