Les patrons picturaux du fatalisme. Sur quelques comparaisons de Gaspard de la Nuit

– Bertrand sometimes uses comparison to trigger contrasts that disconnect the plastic maintenance and the temporal stability of forms, as if to precipitate their impending collapse. Comparisons often endow the compared object with a space that envelopes it. If we look at the iconography of the artists cited by Bertrand, we see that many of them devoted part of their work to the representation of interior spaces, containing objects confined in closed environments.