Disegno e geometria: un itinerario creativo per la progettazione di textures e patterns

The focus of the present research is the transformation of the form. Multiple graphical modes are studied and used to weave, transform, and modify the lines of a drawing, starting with a recognition of the geometric shapes that underlines a particular object.These objects are not necessarily desi- gner objects, but rather –even mostly– objects of everyday use. The central arguments are there- fore drawing, geometry, communication, and multimedia.The goal is to represent and communicate objects through integrated graphical techniques, both traditional and digital. In particular, the theme of creative design is addressed starting with the geometric gures identi ed in the shape of the object, texture, and patterns. Drawing is therefore intended as a tool to trace and weave forms and geometries, thus new, still unexpressed meanings. Going further, it is intended as a tool to connect and generate multiple, original interpretations of reality at a historical time when the exterior aspect, and therefore the object’s capacity for communication, has a large in uence on a product’s success on the commercial level.To be effective, the ‘skin’ of the object and therefore its texture should both respond to an elevated level of graphical quality, but also and especially be based on an idea of a meaningful project. Drawing is the main tool capable of managing each phase of the creative process, from initial ideation to the chromatic representation of the nal product. Drawing is therefore inten- ded as a tool for analysis, reading, study, and creative sources.