Since Russia’s invasion of Ukraine, Russian society is passing an existential catastrophe, meaning falling out of the civilized world and ever-growing state repression. The voices from the anti-war position on behalf of the artists expressed in their primary that is aesthetic language are rare and, therefore, even more significant. Chto Delat, a prominent collective from St. Petersburg, has had a clear anti-Putin stance since its very constituency in 2003, which the artists have clearly expressed in 43 issues of their self-published newspaper. I offer an overview of the group’s publishing production that will turn twenty years next summer. Chto Delat newspaper is a precarious document exposing the current space of language as a limbo where communication gets increasingly ideologized. I reveal how this tendency is being challenged by artists, who oppose the nature of art to muteness, asserting one’s right to speak as a condition for the continuation of life itself.
Chto Delat Newspaper as the Art Collective’s Framework: Twenty Years of DIY Publishing Activity / Tikhomirova, Yulia. - In: PRINT QUARTERLY. - ISSN 0265-8305. - XLI:1(2024), pp. 68-71.
Chto Delat Newspaper as the Art Collective’s Framework: Twenty Years of DIY Publishing Activity
YULIA TIKHOMIROVA
2024
Abstract
Since Russia’s invasion of Ukraine, Russian society is passing an existential catastrophe, meaning falling out of the civilized world and ever-growing state repression. The voices from the anti-war position on behalf of the artists expressed in their primary that is aesthetic language are rare and, therefore, even more significant. Chto Delat, a prominent collective from St. Petersburg, has had a clear anti-Putin stance since its very constituency in 2003, which the artists have clearly expressed in 43 issues of their self-published newspaper. I offer an overview of the group’s publishing production that will turn twenty years next summer. Chto Delat newspaper is a precarious document exposing the current space of language as a limbo where communication gets increasingly ideologized. I reveal how this tendency is being challenged by artists, who oppose the nature of art to muteness, asserting one’s right to speak as a condition for the continuation of life itself.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.