Reading is a drag term that refers to the common practice among drag queens of “confronting someone with witty and creative language that serves to cut or put someone down” (Jones 2007: 83). Linguistically, it can be considered a form of impoliteness aimed at attacking the addressee’s positiveself-image (Brown and Levinson 1987; Culpeper 1996 and 2011). Nevertheless, this study is based onthe assumption that drag impoliteness does not divide but unites members of the drag community by establishing “ambivalent solidarity” (Harvey 1998) and entertaining audiences. A small corpus containing transcripts of the reading mini-challenges in RuPaul’s Drag Race (2009-ongoing) will beexamined quantitatively and qualitatively, either manually or using #LancsBox, a new generation software for the analysis of digitalised texts developed at Lancaster University. Impoliteness among drag queens is thus not to be seen negatively, as the (im)politeness system – similarly to other linguistic features of drag lingo – is reversed in comparison to what happens in the heteronormative society. The better a drag queen is at inventing impolite expressions, the more successful and respected she will be. It should be borne in mind that this study investigates a fictional representation of drag lingo, and that impoliteness, as used in telecinematic discourse, serves other purposes when compared to reality (Dynel 2017; Lorenzo-Dus 2009). Therefore, any generalisation should be made carefully.

“Reading Is What? Fundamental!”: Reversed (im)politeness in RuPaul’s Drag Race / Passa, Davide. - In: LINGUAE &. - ISSN 1724-8698. - 1:1(2023), pp. 143-161.

“Reading Is What? Fundamental!”: Reversed (im)politeness in RuPaul’s Drag Race

Davide Passa
Primo
2023

Abstract

Reading is a drag term that refers to the common practice among drag queens of “confronting someone with witty and creative language that serves to cut or put someone down” (Jones 2007: 83). Linguistically, it can be considered a form of impoliteness aimed at attacking the addressee’s positiveself-image (Brown and Levinson 1987; Culpeper 1996 and 2011). Nevertheless, this study is based onthe assumption that drag impoliteness does not divide but unites members of the drag community by establishing “ambivalent solidarity” (Harvey 1998) and entertaining audiences. A small corpus containing transcripts of the reading mini-challenges in RuPaul’s Drag Race (2009-ongoing) will beexamined quantitatively and qualitatively, either manually or using #LancsBox, a new generation software for the analysis of digitalised texts developed at Lancaster University. Impoliteness among drag queens is thus not to be seen negatively, as the (im)politeness system – similarly to other linguistic features of drag lingo – is reversed in comparison to what happens in the heteronormative society. The better a drag queen is at inventing impolite expressions, the more successful and respected she will be. It should be borne in mind that this study investigates a fictional representation of drag lingo, and that impoliteness, as used in telecinematic discourse, serves other purposes when compared to reality (Dynel 2017; Lorenzo-Dus 2009). Therefore, any generalisation should be made carefully.
2023
impoliteness theory; drag queens; sociolinguistics; queer studies; fictional language
01 Pubblicazione su rivista::01a Articolo in rivista
“Reading Is What? Fundamental!”: Reversed (im)politeness in RuPaul’s Drag Race / Passa, Davide. - In: LINGUAE &. - ISSN 1724-8698. - 1:1(2023), pp. 143-161.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1684574
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