It is well known that Apollinaire dedicated only a small part of his literary output to music. That said, two of his plays—Le Marchand d’anchois and Casanova—are entirely musical works. In our article, we will show that Apollinaire tried to trace a new path, rejecting self-styled highbrow and bourgeois musical output as well as Wagnerism, all while rehabilitating music and popular musical theater.

Quelle musique pour Apollinaire? / Maras, Alessandro. - In: REVUE D'HISTOIRE LITTÉRAIRE DE LA FRANCE. - ISSN 0035-2411. - 1:121(2021), pp. 77-89. [10.15122/isbn.978-2-406-11333-1.p.0077]

Quelle musique pour Apollinaire?

Alessandro Maras
2021

Abstract

It is well known that Apollinaire dedicated only a small part of his literary output to music. That said, two of his plays—Le Marchand d’anchois and Casanova—are entirely musical works. In our article, we will show that Apollinaire tried to trace a new path, rejecting self-styled highbrow and bourgeois musical output as well as Wagnerism, all while rehabilitating music and popular musical theater.
2021
Il est bien connu qu’Apollinaire n’a dédié à la musique qu’une petite partie de sa production littéraire. En revanche, deux pièces de théâtre – Le Marchand d’anchois et Casanova – sont des oeuvres entièrement musicales. Dans notre article nous montrerons qu’Apollinaire a tenté de tracer une nouvelle voie, refusant aussi bien la production musicale soi-disant “haute” et bourgeoise que le wagnérisme, tout en récupérant les musiques et le théâtre musical populaire.
Musica; wagnerismo; Apollinaire; Savinio; café-concert
01 Pubblicazione su rivista::01a Articolo in rivista
Quelle musique pour Apollinaire? / Maras, Alessandro. - In: REVUE D'HISTOIRE LITTÉRAIRE DE LA FRANCE. - ISSN 0035-2411. - 1:121(2021), pp. 77-89. [10.15122/isbn.978-2-406-11333-1.p.0077]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1682244
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