This article proposes a study of sports images and their effects on the viewer's perception and memory. The emphasis is on Cruijff and the Dutch football of 1974, intended as a crucial point for the conjunction that television makes between viewer and performer. In a convergence between romantic aesthetics and communication theory, the focus is on the discontinuities of time that these images provide, outlining an aesthetic experience founded on rhythm, choc and replay.
Lo spettatore al replay. Le immagini sportive e i loro effetti / Rafele, Antonio. - In: MEDIASCAPES JOURNAL. - ISSN 2282-2542. - (2019), pp. 188-200.
Lo spettatore al replay. Le immagini sportive e i loro effetti
RAFELE ANTONIO
2019
Abstract
This article proposes a study of sports images and their effects on the viewer's perception and memory. The emphasis is on Cruijff and the Dutch football of 1974, intended as a crucial point for the conjunction that television makes between viewer and performer. In a convergence between romantic aesthetics and communication theory, the focus is on the discontinuities of time that these images provide, outlining an aesthetic experience founded on rhythm, choc and replay.| File | Dimensione | Formato | |
|---|---|---|---|
|
Rafele_Spettatore_2019.pdf
solo gestori archivio
Tipologia:
Versione editoriale (versione pubblicata con il layout dell'editore)
Licenza:
Tutti i diritti riservati (All rights reserved)
Dimensione
358.01 kB
Formato
Adobe PDF
|
358.01 kB | Adobe PDF | Contatta l'autore |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
