This film explores the difficulties faced by a Maasai agro-pastoral community in Tanzania, as a time of climate crisis stimulates cultural and economic changes. Through the voice of Philipo, a young Maasai man, it describes the importance of a rain-making ritual. At the centre of this ritual is a plant that is sacred to the Maasai, the Oreteti. This is not a common plant in the semi-arid regions of East Africa. Often, it is found near water sources – particularly valuable for agro-pastoral communities, especially during drought. For this reason, the Oreteti is associated with the possibility of overcoming difficulties in times of crisis, as well as with fertility and women. It is no coincidence that women play a fundamental role in the rainmaking ritual; without their presence and their prayers, it would lose its meaning. The film bears witnesses to a crucial change in Philipo’s community, a change that also affects the meaning and indeed the existence of the rain-making ritual. Much of Maasai cultural life revolves around pastoral rites and symbols. Indeed, the Maasai consider and define themselves as “people-of-the-cattle”, although, over several generations, they have increasingly added activities such as agriculture to their livestock keeping in response to shifting economic and political circumstances. In Philipo’s village, the arrival of the Lutheran Church and successive famines and droughts have accelerated processes of change. As Philipo himself points out, all of this, in turn, has had palpable effects on economic decisions and cultural choices as well as on gender relation. Ultimately, this changes the meaning of the Oreteti ritual itself. In conclusion, we are presented with a reflection by a young Maasai on how his community can overcome current difficulties, given that connections between humans, and between the human and the divine, have been exposed to new meaning.
Oreteti. Connecting Humans with God / D'Angelo, Lorenzo. - In: VISUAL ETHNOGRAPHY. - ISSN 2499-9288. - 9:1(2020).
Oreteti. Connecting Humans with God
Lorenzo D'Angelo
Primo
Writing – Original Draft Preparation
2020
Abstract
This film explores the difficulties faced by a Maasai agro-pastoral community in Tanzania, as a time of climate crisis stimulates cultural and economic changes. Through the voice of Philipo, a young Maasai man, it describes the importance of a rain-making ritual. At the centre of this ritual is a plant that is sacred to the Maasai, the Oreteti. This is not a common plant in the semi-arid regions of East Africa. Often, it is found near water sources – particularly valuable for agro-pastoral communities, especially during drought. For this reason, the Oreteti is associated with the possibility of overcoming difficulties in times of crisis, as well as with fertility and women. It is no coincidence that women play a fundamental role in the rainmaking ritual; without their presence and their prayers, it would lose its meaning. The film bears witnesses to a crucial change in Philipo’s community, a change that also affects the meaning and indeed the existence of the rain-making ritual. Much of Maasai cultural life revolves around pastoral rites and symbols. Indeed, the Maasai consider and define themselves as “people-of-the-cattle”, although, over several generations, they have increasingly added activities such as agriculture to their livestock keeping in response to shifting economic and political circumstances. In Philipo’s village, the arrival of the Lutheran Church and successive famines and droughts have accelerated processes of change. As Philipo himself points out, all of this, in turn, has had palpable effects on economic decisions and cultural choices as well as on gender relation. Ultimately, this changes the meaning of the Oreteti ritual itself. In conclusion, we are presented with a reflection by a young Maasai on how his community can overcome current difficulties, given that connections between humans, and between the human and the divine, have been exposed to new meaning.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.