in his article The Formal Apparatus of Enunciation (1970), the linguist Émile benveniste outlines his theory of enunciation through the rejection of some false examples of dialogue. One of them is the hain-teny, a verbal play ex- changed by the Merinas of Madagascar. but benveniste had dedicated another brief essay to the notion of «play» («jeu»): Le jeu comme structure (1947). in this one he formalizes the transformation of a sacred act into a play: the latter is none but a faint image of the former, and thus has no power over reality. in connecting these two articles, this present work aims to show the presence of benveniste’s reflection on play into his final take on the enunciation, thus add- ing a link between enunciation, speech acts and performativity.
Le jeu comme structure. Gioco e atti linguistici nella riflessione di Émile Benveniste / Frigeni, Silvia. - In: BLITYRI. - ISSN 2281-6682. - 10:1(2021), pp. 113-126.
Le jeu comme structure. Gioco e atti linguistici nella riflessione di Émile Benveniste
Frigeni Silvia
2021
Abstract
in his article The Formal Apparatus of Enunciation (1970), the linguist Émile benveniste outlines his theory of enunciation through the rejection of some false examples of dialogue. One of them is the hain-teny, a verbal play ex- changed by the Merinas of Madagascar. but benveniste had dedicated another brief essay to the notion of «play» («jeu»): Le jeu comme structure (1947). in this one he formalizes the transformation of a sacred act into a play: the latter is none but a faint image of the former, and thus has no power over reality. in connecting these two articles, this present work aims to show the presence of benveniste’s reflection on play into his final take on the enunciation, thus add- ing a link between enunciation, speech acts and performativity.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.