In the Eikones Philostratus the Elder praises painting against the many forms of plastic art: modelling in clay, imitation in bronze, and the work of those who carve Lygdian or Parian marble. Painting makes its contribution by the use of colours and with this one means ingeniously accomplishes much more, showing light and shadow and knowing the gaze, now of the man who is mad, now of the man who is sorrowing or rejoicing. The article focuses on the attention that Philostratus reserves for the faces, the eyes and other features of the painted figures as an expression of their character and feelings.
GLI SGUARDI DELLA PITTURA: I VOLTI E GLI OCCHI NELLE EIKONES DI FILOSTRATO MAGGIORE / Papini, Massimiliano. - In: SCIENZE DELL'ANTICHITÀ. - ISSN 1123-5713. - 27:3(2021), pp. 173-193.
GLI SGUARDI DELLA PITTURA: I VOLTI E GLI OCCHI NELLE EIKONES DI FILOSTRATO MAGGIORE
Massimiliano Papini
2021
Abstract
In the Eikones Philostratus the Elder praises painting against the many forms of plastic art: modelling in clay, imitation in bronze, and the work of those who carve Lygdian or Parian marble. Painting makes its contribution by the use of colours and with this one means ingeniously accomplishes much more, showing light and shadow and knowing the gaze, now of the man who is mad, now of the man who is sorrowing or rejoicing. The article focuses on the attention that Philostratus reserves for the faces, the eyes and other features of the painted figures as an expression of their character and feelings.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
