The text focuses on the poetic work of Karl Wolfskehl (1869-1948), an exponent of a literary and cultural season specific to the German intellectual climate around 1900. In particular, it investigates one of his poetic collections in which a mysticism of Jewish belonging clearly emerges – after 1933 – which sees in the Jewish Experience of the Exodus and the Diaspora (Galut) the absolutely central moment of identity, full of pathos, because it is the expression of a belonging based on the word and the poetic sign, conceived mystically as a new secret space of the Hebrew. This is why in the text we speak of ‘secret Judaism’ (as a parallel to the concept of ‘secret Germany’, invented precisely by Wolfskehl within the George Kreis).
Alle zogen, zogen ins Land, zogen vom Land“. Zur Mystik von Raum und Zeichen bei Karl Wolfskehl / Guerra, Gabriele. - In: AZIMUTH. - ISSN 2282-4863. - IX:18(2022), pp. 143-155.
Alle zogen, zogen ins Land, zogen vom Land“. Zur Mystik von Raum und Zeichen bei Karl Wolfskehl
Gabriele Guerra
2022
Abstract
The text focuses on the poetic work of Karl Wolfskehl (1869-1948), an exponent of a literary and cultural season specific to the German intellectual climate around 1900. In particular, it investigates one of his poetic collections in which a mysticism of Jewish belonging clearly emerges – after 1933 – which sees in the Jewish Experience of the Exodus and the Diaspora (Galut) the absolutely central moment of identity, full of pathos, because it is the expression of a belonging based on the word and the poetic sign, conceived mystically as a new secret space of the Hebrew. This is why in the text we speak of ‘secret Judaism’ (as a parallel to the concept of ‘secret Germany’, invented precisely by Wolfskehl within the George Kreis).File | Dimensione | Formato | |
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