In the early ’30s, in Italy, theatre for the radio was an unpopular genre both among critics and for the public. Therefore, the EIAR sought actively out renewal, and changes occurred over the span of about ten years, thanks to young authors working in the «radio revue» subgenre. Federico Fellini was among these authors. He contributed to the renewal with his fantasy, irony and humanity. Although often forgotten, as they were unpublished, Fellini’s radioscripts already show evidence of so-called «Fellinian» surrealism.
Federico Fellini all’Eiar (1940-1943). Tra l’evoluzione del radioteatro e la nascita del «felliniano» / Petrini, Miriam. - In: L'AVVENTURA. - ISSN 2421-6496. - (2021), pp. 57-72. [10.17397/101278]
Federico Fellini all’Eiar (1940-1943). Tra l’evoluzione del radioteatro e la nascita del «felliniano»
Miriam Petrini
2021
Abstract
In the early ’30s, in Italy, theatre for the radio was an unpopular genre both among critics and for the public. Therefore, the EIAR sought actively out renewal, and changes occurred over the span of about ten years, thanks to young authors working in the «radio revue» subgenre. Federico Fellini was among these authors. He contributed to the renewal with his fantasy, irony and humanity. Although often forgotten, as they were unpublished, Fellini’s radioscripts already show evidence of so-called «Fellinian» surrealism.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.