The essay offers a broad and detailed historiographical and critical reconstruction of the poetic experience carried out by Gruppo '93 in Italy (1989-1993). It examines the culturale panorama in which the Group was born, the poetic experiences and theoretical propositions born previously and then merged into the Group (KB group consisting of Frasca, Frixione, Durante, Ottonieri; "Baldus" collective consisting of Bàino, Cepollaro, Voice; collective of «Other terms» composed by Berisso, Cademartori, Caserza, Gentiluomo). The essay mainly discusses the relationship between the '93 Group and the hypothesis of a new, "third wave" of literary avant-garde in Italy. The essay offers a broad and detailed historiographical, theoretical and critical reconstruction of the poetic experience carried out by Gruppo '93 in Italy (1989-1993). It examines the panorama in which the Group was born, the poetic experiences and theoretical propositions born previously and then merged into the Group (KB group consisting of Frasca, Frixione, Durante, Ottonieri; "Baldus" collective consisting of Bàino, Cepollaro, Voice; collective of «Other terms» composed by Berisso, Cademartori, Caserza, Gentiluomo). The essay mainly discusses the relationship between the '93 Group and the hypothesis of a new, third wave of literary avant-garde in Italy. The critical conclusions are based on the analysis, analysis and commentary of some of the most representative texts produced by the Group's poets.
Il saggio propone una ampia e dettagliata ricostruzione storiografica, teorica critica dell'esperienza poetica compiuta dal Gruppo '93 in Italia (1989-1993). Prende in esame il panorama culturale in cui il Gruppo è nato, le esperienze poetiche e le proposizioni teoriche nate in precedenza e poi confluite nel Gruppo (gruppo K.B. costituito da Frasca, Frixione, Durante, Ottonieri; collettivo «Baldus» costituito da Bàino, Cepollaro, Voce; collettivo di «Altri termini» composto da Berisso, Cademartori, Caserza, Gentiluomo). Il saggio discute principalmente il rapporto tra il Gruppo '93 e l'ipotesi di una nuova, "terza ondata" d'avanguardia letteraria in Italia. Le conclusioni critiche sono fondate su analisi, commento e interrelazione di alcuni dei testi poetici più rappresentativi prodotti dal Gruppo.
Per uno schemino terminale. Gruppo '93, poetica di fine millennio / Bello, Cecilia. - In: RIVISTA DI STUDI ITALIANI. - ISSN 1916-5412. - n. 1, 2021:Anno XXXIX, n. 1(2021), pp. 5-60.
Per uno schemino terminale. Gruppo '93, poetica di fine millennio
Bello, Cecilia
2021
Abstract
The essay offers a broad and detailed historiographical and critical reconstruction of the poetic experience carried out by Gruppo '93 in Italy (1989-1993). It examines the culturale panorama in which the Group was born, the poetic experiences and theoretical propositions born previously and then merged into the Group (KB group consisting of Frasca, Frixione, Durante, Ottonieri; "Baldus" collective consisting of Bàino, Cepollaro, Voice; collective of «Other terms» composed by Berisso, Cademartori, Caserza, Gentiluomo). The essay mainly discusses the relationship between the '93 Group and the hypothesis of a new, "third wave" of literary avant-garde in Italy. The essay offers a broad and detailed historiographical, theoretical and critical reconstruction of the poetic experience carried out by Gruppo '93 in Italy (1989-1993). It examines the panorama in which the Group was born, the poetic experiences and theoretical propositions born previously and then merged into the Group (KB group consisting of Frasca, Frixione, Durante, Ottonieri; "Baldus" collective consisting of Bàino, Cepollaro, Voice; collective of «Other terms» composed by Berisso, Cademartori, Caserza, Gentiluomo). The essay mainly discusses the relationship between the '93 Group and the hypothesis of a new, third wave of literary avant-garde in Italy. The critical conclusions are based on the analysis, analysis and commentary of some of the most representative texts produced by the Group's poets.| File | Dimensione | Formato | |
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