The Rise of Cultural Commons Imaginary

The purpose of this article is to explore the aesthetics of social forms, which can be understood as an implicit image of the world from which such forms draw their nourishment. I intend to put forward the argument that we are probably in a phase that finds a terrain for new imaginative investment in the Cultural Commons. Living in a modernity whose dominant trait is capitalism, I deal with the ‘erosion’ of contemporary capitalism's imaginary, trying to understand the counter movement of Cultural Commons.