Il Pittore di Civita Castellana 8238 e la pianificazione di un rapimento su uno stamnos falisco a figure rosse del museo di Grosseto

Taking inspiration from the presentation of one relatively unknown Faliscan stamnos of the Museum of Grosseto, the proposed study aims to deepen the knowledge of part of the figurative imagery of red Faliscan figure production of the first half of the fourth century B.C., in which the representations of abduction scenes are rather frequent. In order to read an important passage of the history of ancient craftsmanship, the study also aims to provide a chronological definition of the work of the Civita Castellana 8238 Painter, author of the stamnos of Grosseto, artistic personality that arises amidst the earliest Faliscan production – linked to stylistic and iconographic Attic models – and the red figure Ceretan production.