In contemporary Muslim world, wine and its condemnation have acquired a particular importance in the processes of re-Islamisation. Compared to the classical period, the referential value – in terms of Muslim identity and belonging to the Islamic community – of the term ḫamr has taken a restrictive meaning. This article deals with the intellectual production related to the Islamic interdiction of wine. Firstly, it examines the evidence in the Qurʾān, its exegesis, and the canonical traditions, and then in Sunni and Shiite traditions. It privileges a permanent form of normative reference to the sense of revelation, found as much in the classical period as in the modern one. It is within this permanence, and with a sort of “sampling technique”, that this study aims at evaluating the cultural change at the turn of the contemporary period. It examines the works of authors such as al-Ṭabarī, Rašīd Riḍà, Sayyid Quṭb, al-Buḫārī, al-Kulaynī, Ibn Taymiyyah, Muḥammad Šalṭūṭ and ʿAbd al-Wahhāb ʿAbd al-Salām Ṭawīlah.
La colpa del bevitore: iṯm e riǧs nelle interpretazioni classiche e moderne dei passi relativi al ḫamr nel Corano e nella Sunna / Capezzone, Leonardo. - In: ORIENTE MODERNO. - ISSN 0030-5472. - 100:(2020), pp. 277-321. [10.1163/22138617-12340232]
La colpa del bevitore: iṯm e riǧs nelle interpretazioni classiche e moderne dei passi relativi al ḫamr nel Corano e nella Sunna
Leonardo Capezzone
2020
Abstract
In contemporary Muslim world, wine and its condemnation have acquired a particular importance in the processes of re-Islamisation. Compared to the classical period, the referential value – in terms of Muslim identity and belonging to the Islamic community – of the term ḫamr has taken a restrictive meaning. This article deals with the intellectual production related to the Islamic interdiction of wine. Firstly, it examines the evidence in the Qurʾān, its exegesis, and the canonical traditions, and then in Sunni and Shiite traditions. It privileges a permanent form of normative reference to the sense of revelation, found as much in the classical period as in the modern one. It is within this permanence, and with a sort of “sampling technique”, that this study aims at evaluating the cultural change at the turn of the contemporary period. It examines the works of authors such as al-Ṭabarī, Rašīd Riḍà, Sayyid Quṭb, al-Buḫārī, al-Kulaynī, Ibn Taymiyyah, Muḥammad Šalṭūṭ and ʿAbd al-Wahhāb ʿAbd al-Salām Ṭawīlah.File | Dimensione | Formato | |
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