The textual tradition of Penelope, an opera seria written in 1795 by Giuseppe Maria Diodati and Domenico Cimarosa, refl ects not only the creative project of the original authors, but also those of others who modified the score over time. Particulary notable in this sense is the case of the contralto Giuseppina Grassini (1779-1850) who sang the title role several times between 1795 and 1803. Reconstructing some of the changes effected by her, I seek to explain why this singer should herself be considered one of the main authors of Penelope.
Di chi è la Penelope? Sull’autorialità di un melodramma di tardo Settecento / DI CINTIO, Eleonora. - In: STORIE E LINGUAGGI. - ISSN 2464-8647. - 5:1(2019), pp. 171-197.
Di chi è la Penelope? Sull’autorialità di un melodramma di tardo Settecento
Eleonora Di Cintio
2019
Abstract
The textual tradition of Penelope, an opera seria written in 1795 by Giuseppe Maria Diodati and Domenico Cimarosa, refl ects not only the creative project of the original authors, but also those of others who modified the score over time. Particulary notable in this sense is the case of the contralto Giuseppina Grassini (1779-1850) who sang the title role several times between 1795 and 1803. Reconstructing some of the changes effected by her, I seek to explain why this singer should herself be considered one of the main authors of Penelope.File | Dimensione | Formato | |
---|---|---|---|
Di Cintio_Di-chi-Penelope_2019.pdf
solo gestori archivio
Tipologia:
Versione editoriale (versione pubblicata con il layout dell'editore)
Licenza:
Tutti i diritti riservati (All rights reserved)
Dimensione
412.32 kB
Formato
Adobe PDF
|
412.32 kB | Adobe PDF | Contatta l'autore |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.