Shakespeare’s concern as a dramatist was to turn stories into success- ful plays. He understood the subtle procedures of stagecraft, needed to help create effective performances. But what exactly were his prin- ciples in matters of dramaturgy? The term ‘dramaturgy’ covers both the literary and directorial aspects of staging a play. It involves the ability to devise a text for performance, and consequently to adapt it for the company staging it.

Review: Meagher, John C., Shakespeare’s Shakespeare: How the Plays Were Made, London, Bloomsbury Academy, 2015 (1997) / Peghinelli, Andrea. - In: MEMORIA DI SHAKESPEARE. - ISSN 2283-8759. - 3/2016(2016), pp. 170-174.

Review: Meagher, John C., Shakespeare’s Shakespeare: How the Plays Were Made, London, Bloomsbury Academy, 2015 (1997)

Andrea Peghinelli
Primo
2016

Abstract

Shakespeare’s concern as a dramatist was to turn stories into success- ful plays. He understood the subtle procedures of stagecraft, needed to help create effective performances. But what exactly were his prin- ciples in matters of dramaturgy? The term ‘dramaturgy’ covers both the literary and directorial aspects of staging a play. It involves the ability to devise a text for performance, and consequently to adapt it for the company staging it.
2016
Shakespeare, dramaturgy, authorship
01 Pubblicazione su rivista::01d Recensione
Review: Meagher, John C., Shakespeare’s Shakespeare: How the Plays Were Made, London, Bloomsbury Academy, 2015 (1997) / Peghinelli, Andrea. - In: MEMORIA DI SHAKESPEARE. - ISSN 2283-8759. - 3/2016(2016), pp. 170-174.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1514373
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