We present the results of a diagnostic campaign on three of Giuseppe Capogrossi’s abstract paintings from the 1950s and 1960s, conserved at the National Gallery of Modern and Contemporary Art in Rome. Non-invasive investigations by reflection FT-IR spectroscopy were carried out, followed by micro-destructive laboratory analyses using Py-GC-MS, and HPLC-ESI-Q-ToF. The investigations focused on identifying the binders used for both the preparation and the pictorial layers. In two of the paintings investigated, an industrial preparation was identified based on egg yolk, mixed with other organic materials (acryl resin, oil, animal glue). The paint media include the use of both oil and alkyd paint. In one of the three paintings, the presence of a styrene-acryl resin was observed. The results show the simultaneous use of traditional and innovative materials, confirming the complexity of the period in which the artist was active, characterized by the technical experimentation of both the artists and manufacturers. The research also contributes to a better understanding of Giuseppe Capogrossi’s artistic profile, from the point of view of executive techniques.

Discovering Giuseppe Capogrossi: study of the painting materials in three works of art stored at Galleria Nazionale (Rome) / La Nasa, Jacopo; Moretti, Patrizia; Maniccia, Eleonora; Pizzimenti, Silvia; Colombini, Maria Perla; Miliani, Costanza; Modugno, Francesca; Carnazza, Paola; De Luca, Daphne. - In: HERITAGE. - ISSN 2571-9408. - 3(2020), pp. 965-984.

Discovering Giuseppe Capogrossi: study of the painting materials in three works of art stored at Galleria Nazionale (Rome)

Modugno, Francesca;De Luca, Daphne
2020

Abstract

We present the results of a diagnostic campaign on three of Giuseppe Capogrossi’s abstract paintings from the 1950s and 1960s, conserved at the National Gallery of Modern and Contemporary Art in Rome. Non-invasive investigations by reflection FT-IR spectroscopy were carried out, followed by micro-destructive laboratory analyses using Py-GC-MS, and HPLC-ESI-Q-ToF. The investigations focused on identifying the binders used for both the preparation and the pictorial layers. In two of the paintings investigated, an industrial preparation was identified based on egg yolk, mixed with other organic materials (acryl resin, oil, animal glue). The paint media include the use of both oil and alkyd paint. In one of the three paintings, the presence of a styrene-acryl resin was observed. The results show the simultaneous use of traditional and innovative materials, confirming the complexity of the period in which the artist was active, characterized by the technical experimentation of both the artists and manufacturers. The research also contributes to a better understanding of Giuseppe Capogrossi’s artistic profile, from the point of view of executive techniques.
2020
Capogrossi; canvas; alchidici; resine; Acrlici
01 Pubblicazione su rivista::01a Articolo in rivista
Discovering Giuseppe Capogrossi: study of the painting materials in three works of art stored at Galleria Nazionale (Rome) / La Nasa, Jacopo; Moretti, Patrizia; Maniccia, Eleonora; Pizzimenti, Silvia; Colombini, Maria Perla; Miliani, Costanza; Modugno, Francesca; Carnazza, Paola; De Luca, Daphne. - In: HERITAGE. - ISSN 2571-9408. - 3(2020), pp. 965-984.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1491018
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