The poet Antonio Bruni (Manduria 1593-Rome 1635), in his laudatory pamphlet entitled "La Ghirlanda" (1625), criticizes Caravaggio's drawing skills while praising him for his ability to imitate nature. The contribution examines the origin and value of this judgment related to the context of the academic world and demonstrates the contiguity and continuity between Bruni's thought and that of some protagonists of the seventeenth-century artistic literature, such as Gaspare Celio, Giovanni, Baglione and Giovanni Pietro Bellori.
L'accademico umorista Antonio Bruni, segretario di monsignor Berlinghiero Gessi, e un suo giudizio sul disegno di Caravaggio / Moretti, Massimo. - In: STUDI DI STORIA DELL'ARTE. - ISSN 1123-5683. - (2020), pp. 163-173.
L'accademico umorista Antonio Bruni, segretario di monsignor Berlinghiero Gessi, e un suo giudizio sul disegno di Caravaggio
Massimo Moretti
2020
Abstract
The poet Antonio Bruni (Manduria 1593-Rome 1635), in his laudatory pamphlet entitled "La Ghirlanda" (1625), criticizes Caravaggio's drawing skills while praising him for his ability to imitate nature. The contribution examines the origin and value of this judgment related to the context of the academic world and demonstrates the contiguity and continuity between Bruni's thought and that of some protagonists of the seventeenth-century artistic literature, such as Gaspare Celio, Giovanni, Baglione and Giovanni Pietro Bellori.| File | Dimensione | Formato | |
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