The field of ceramic is always throbbing with experimentations of design planning, artistic expressions and handcrafts. Clara Garesio has been capable of expressing herself in all these variations as well as being active in the area of education throughout her career. Born in Turin in 1938, she studied at the “G. Ballardini” State School of Ceramic Art of Faenza, which was a cultural melting pot in the 50s and the 60s. She moved to Naples in 1962 and became part of a cycle of teachers in charge of initiating the G. Caselli State Vocational School for the industry and craftsmanship of ceramic, an institution that advocated the revival of traditional high-level craftsmanship. Naples offered her the opportunity to deal with the old tradition of porcelain crafts from Capodimonte, thus leading to creations that revived and innovated the traditional iconographic heritage. Her production ranged from artistically expressive objects, intended for architecture and public areas, whilst being also committed in designing tile modules, ornamental elements, and crockery shapes. A revisitation of the artist's life will enable us to contextualize her work in the Neapolitan setting and compare it with other design experiences intertwined with the fields of ceramic and craftsmanship

Clara Garesio, Ceramic Art and Design in the Neapolitan Context / Morone, Alfonso; Parlato, Susanna. - In: PAD. - ISSN 1972-7887. - (2020), pp. 215-240.

Clara Garesio, Ceramic Art and Design in the Neapolitan Context

Susanna Parlato
2020

Abstract

The field of ceramic is always throbbing with experimentations of design planning, artistic expressions and handcrafts. Clara Garesio has been capable of expressing herself in all these variations as well as being active in the area of education throughout her career. Born in Turin in 1938, she studied at the “G. Ballardini” State School of Ceramic Art of Faenza, which was a cultural melting pot in the 50s and the 60s. She moved to Naples in 1962 and became part of a cycle of teachers in charge of initiating the G. Caselli State Vocational School for the industry and craftsmanship of ceramic, an institution that advocated the revival of traditional high-level craftsmanship. Naples offered her the opportunity to deal with the old tradition of porcelain crafts from Capodimonte, thus leading to creations that revived and innovated the traditional iconographic heritage. Her production ranged from artistically expressive objects, intended for architecture and public areas, whilst being also committed in designing tile modules, ornamental elements, and crockery shapes. A revisitation of the artist's life will enable us to contextualize her work in the Neapolitan setting and compare it with other design experiences intertwined with the fields of ceramic and craftsmanship
2020
ceramic; teachings; artistic expressiveness; craftsmanship; personal path.
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Clara Garesio, Ceramic Art and Design in the Neapolitan Context / Morone, Alfonso; Parlato, Susanna. - In: PAD. - ISSN 1972-7887. - (2020), pp. 215-240.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1445721
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