Why would we ever take a picture of a dead person? This practice began as a way to perpetuate the image of the deceased, rendering their memory eternal – Victorians thought that it could be useful to have portraits of their dead loved ones. Certainly, subjects in post-mortem photos will be remembered forever. However, we must ask two more questions. Are they people portrayed as if they were still alive? Or on the other hand, are they bodies that represent death? Our paper takes an in-depth look at different iconographical styles as well as photographic techniques and religious and ethical reasons behind memento mori photos during the Victorian Age.
Post-mortem photography.The edge where life meets death? / Borgo, Melania; Licata, Marta; Iorio, Silvia. - In: HUMAN AND SOCIAL STUDIES. - ISSN 2286-3265. - 5:2(2016), pp. 103-115. [10.1515/hssr-2016-00016]
Titolo: | Post-mortem photography.The edge where life meets death? | |
Autori: | ||
Data di pubblicazione: | 2016 | |
Rivista: | ||
Citazione: | Post-mortem photography.The edge where life meets death? / Borgo, Melania; Licata, Marta; Iorio, Silvia. - In: HUMAN AND SOCIAL STUDIES. - ISSN 2286-3265. - 5:2(2016), pp. 103-115. [10.1515/hssr-2016-00016] | |
Handle: | http://hdl.handle.net/11573/1413762 | |
Appartiene alla tipologia: | 01a Articolo in rivista |
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