Often chosen as the privileged setting for plays, poems, and novels, Italy has been one of the core English literary imageries from the Middle Ages to the late Victorian era and beyond. However, more than an actual geographical space, the presence of Italian locations within the corpus of British literature can be configured as a distinctive discursive practice disclosing a variety of literary possibilities or, as what Roland Barthes would say, a situation d’écriture: a writing situation capable of conveying an inexhaustible basin of themes and conventions. But what are the features at the basis of the construction of Italy as a writing situation? And is there a relationship between the use of certain Italian locations and the development of specific sub-genres? Using innovative computer-based tools capable of macro analysis such as topic modelling and words-cohort correlation, in what follows I will give evidence of the occurrences and the transformations of the Italian stereotype throughout the British novel during the 19th century. The aim is to investigate the changes in the relative representation of different geographical areas within the fictional horizon of the novel thus testing the correlation between space and novelistic genres with new empirical tools.
Geography of a stereotype. A computational study on the Italian presence in the British nineteenth century novel / Perazzini, Federica. - In: IPERSTORIA. - ISSN 2281-4582. - Saggi/Essay, Issue 13 – Spring/Summer 2019:Saggi/Essay, Issue 13 – Spring/Summer 2019(2019), pp. 116-126.
Geography of a stereotype. A computational study on the Italian presence in the British nineteenth century novel
federica perazzini
2019
Abstract
Often chosen as the privileged setting for plays, poems, and novels, Italy has been one of the core English literary imageries from the Middle Ages to the late Victorian era and beyond. However, more than an actual geographical space, the presence of Italian locations within the corpus of British literature can be configured as a distinctive discursive practice disclosing a variety of literary possibilities or, as what Roland Barthes would say, a situation d’écriture: a writing situation capable of conveying an inexhaustible basin of themes and conventions. But what are the features at the basis of the construction of Italy as a writing situation? And is there a relationship between the use of certain Italian locations and the development of specific sub-genres? Using innovative computer-based tools capable of macro analysis such as topic modelling and words-cohort correlation, in what follows I will give evidence of the occurrences and the transformations of the Italian stereotype throughout the British novel during the 19th century. The aim is to investigate the changes in the relative representation of different geographical areas within the fictional horizon of the novel thus testing the correlation between space and novelistic genres with new empirical tools.File | Dimensione | Formato | |
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