This article focuses on the China pavilion of the 57th Venice Biennale as a case study. The theme of the pavilion, Continuum – Generation by Generation, revolved around the long history of Chinese tradition and offered a visual re-elaboration of it by means of contemporary art and folk art. The works exhibited drew on Chinese mythology, masterpieces of Chinese art history, philosophical concepts and handcraft traditions, hence presenting a variegated image of (contem-porary) Chinese art. This exhibition offers opportunities for a critical reading of the relationship between contemporary art and tradition implied by the theme Continuum, and I will explore the narrative and curatorial discourse it presented to the audience.
Continuum generation by generation: The representation of Chinese traditions at the China pavilion of the 57th Venice Biennale / DE NIGRIS, Ornella. - In: JOURNAL OF CONTEMPORARY CHINESE ART. - ISSN 2051-705X. - 6:2-3(2019), pp. 343-366. [10.1386/jcca_00011_1]
Continuum generation by generation: The representation of Chinese traditions at the China pavilion of the 57th Venice Biennale
De Nigris Ornella
2019
Abstract
This article focuses on the China pavilion of the 57th Venice Biennale as a case study. The theme of the pavilion, Continuum – Generation by Generation, revolved around the long history of Chinese tradition and offered a visual re-elaboration of it by means of contemporary art and folk art. The works exhibited drew on Chinese mythology, masterpieces of Chinese art history, philosophical concepts and handcraft traditions, hence presenting a variegated image of (contem-porary) Chinese art. This exhibition offers opportunities for a critical reading of the relationship between contemporary art and tradition implied by the theme Continuum, and I will explore the narrative and curatorial discourse it presented to the audience.File | Dimensione | Formato | |
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