This article offers an overview of the Algerian women condition at the end of the twentieth century through the analysis of the novel Tā’ al-khajal (The Stigma of Shame/The Feminine Shame) by the Algerian writer Faḍīlah al-Fārūq. The work, set in Algeria in the 1990s, is a kind of diary written in the first person where the protagonist, a young journalist, Khālidah openly declares her love for her land and for the women of her land. Memories play a fundamental role in the articulation of the novel, but they do not always serve to remedy the trauma of the violence experienced: the writing of al-Fārūq becomes therefore a component of the construction of the social memory of her own country.
Memories and violence in Fadila al-Faruq Ta’ al-khajal. Fiction as a tool to construct social memory / Barbaro, Ada. - In: EXPRESSIONS MAGHRÉBINES. - ISSN 1540-0085. - 14:1(2015), pp. 119-136. [10.1353/exp.2015.0008]
Memories and violence in Fadila al-Faruq Ta’ al-khajal. Fiction as a tool to construct social memory
Barbaro, ada
2015
Abstract
This article offers an overview of the Algerian women condition at the end of the twentieth century through the analysis of the novel Tā’ al-khajal (The Stigma of Shame/The Feminine Shame) by the Algerian writer Faḍīlah al-Fārūq. The work, set in Algeria in the 1990s, is a kind of diary written in the first person where the protagonist, a young journalist, Khālidah openly declares her love for her land and for the women of her land. Memories play a fundamental role in the articulation of the novel, but they do not always serve to remedy the trauma of the violence experienced: the writing of al-Fārūq becomes therefore a component of the construction of the social memory of her own country.File | Dimensione | Formato | |
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