The article analyzes 1992. La serie (and the subsequent season 1993), an original fiction produced by Sky Italia, highlighting the specificity in the context of the Italian television scenario and especially studying the equivocal and layered relationship it has with public history. Following six fictional characters, whose stories intertwine, between Milan and Rome, with the “real” facts, situations and people of the Tangentopoli years, the series is able to create an ambivalent dialogue both with the historiography on that specific period in Italian history and on Berlusconi’s political ascent, and with the historical imagery of those and the following years, always filtered through television and media.
«La storia non è ancora stata scritta». Immaginari storici e ri-mediazioni televisive in 1992/1993. La serie / Garofalo, Damiano; Barra, Luca. - In: STORIA E PROBLEMI CONTEMPORANEI. - ISSN 1120-4206. - (2017).
«La storia non è ancora stata scritta». Immaginari storici e ri-mediazioni televisive in 1992/1993. La serie
Damiano Garofalo;
2017
Abstract
The article analyzes 1992. La serie (and the subsequent season 1993), an original fiction produced by Sky Italia, highlighting the specificity in the context of the Italian television scenario and especially studying the equivocal and layered relationship it has with public history. Following six fictional characters, whose stories intertwine, between Milan and Rome, with the “real” facts, situations and people of the Tangentopoli years, the series is able to create an ambivalent dialogue both with the historiography on that specific period in Italian history and on Berlusconi’s political ascent, and with the historical imagery of those and the following years, always filtered through television and media.File | Dimensione | Formato | |
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