This contribution illustrates how drawing can be used to become familiar with the cultural heritage of the four Imperial Cities of Morocco. Accompanied by maestro Pedro Cano, a group of Italian and Spanish artists, painters and architects went on a sort of Grand Tour to study the cities of Marrakech, Essaouira, Fès and Meknès 1. The study critically reviewed the material and immaterial aspects of the cities in order to interpret their social, architectural and urban identity and create a travel journal using illustrations and drawings. The group concentrated on the innovative perception of space, the urges of the soul, and the complex link between our physical body and architecture. In fact, the creation of emotional images allows us to not only reflect more deeply on the complexity of our architectural and urban heritage, but also think more clearly about its protection and enhancement.

Elogio al color en la representación de las cuatro ciudades imperiales de Marruecos. In praise of colour in the representation of the fuor imperial cities of Morocco / Chiavoni, Emanuela. - In: EGA. REVISTA DE EXPRESIÓN GRÁFICA ARQUITECTÓNICA. - ISSN 1133-6137. - 24:35 (2019)(2019), pp. 66-81. [10.4995/ega.2019.9287]

Elogio al color en la representación de las cuatro ciudades imperiales de Marruecos. In praise of colour in the representation of the fuor imperial cities of Morocco

Chiavoni Emanuela
2019

Abstract

This contribution illustrates how drawing can be used to become familiar with the cultural heritage of the four Imperial Cities of Morocco. Accompanied by maestro Pedro Cano, a group of Italian and Spanish artists, painters and architects went on a sort of Grand Tour to study the cities of Marrakech, Essaouira, Fès and Meknès 1. The study critically reviewed the material and immaterial aspects of the cities in order to interpret their social, architectural and urban identity and create a travel journal using illustrations and drawings. The group concentrated on the innovative perception of space, the urges of the soul, and the complex link between our physical body and architecture. In fact, the creation of emotional images allows us to not only reflect more deeply on the complexity of our architectural and urban heritage, but also think more clearly about its protection and enhancement.
2019
Se presenta una experiencia que se realizó mediante el dibujo, dirigida al conocimiento del patrimonio cultural de las cuatro ciudades imperiales de Marruecos. Una especie de Grand Tour de estudio que tuvo lugar entre Marrakech, Essaouira, Fès y Meknès en el que participaron artistas, pintores y arquitectos italianos y españoles acompañados por el maestro Pedro Cano 1. La investigación, orientada a la lectura crítica de los aspectos materiales y inmateriales de los sitios visitados, ha llevado a la interpretación de la identidad social, arquitectónica y urbana de los diferentes lugares, creando un diario de viajes a través de ilustraciones y dibujos. El tema se centró en la percepción inédita del espacio, las necesidades del alma y el complejo entramado entre arquitectura y cuerpo. La construcción de imágenes emocionales de hecho permite reflexionar mejor sobre la complexidad del patrimonio arquitectónico y urbano y pensar de forma más lúcida en su protección y mejora.
drawing; knowledge; emotional images; imperial cities of Morocco
01 Pubblicazione su rivista::01a Articolo in rivista
Elogio al color en la representación de las cuatro ciudades imperiales de Marruecos. In praise of colour in the representation of the fuor imperial cities of Morocco / Chiavoni, Emanuela. - In: EGA. REVISTA DE EXPRESIÓN GRÁFICA ARQUITECTÓNICA. - ISSN 1133-6137. - 24:35 (2019)(2019), pp. 66-81. [10.4995/ega.2019.9287]
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1281578
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