The connection between the "joie d'amour" and the bleeding wound defines a proper Pathosformel, an iconic set based on the predeterminated connection between a pleasurable emotion and a painful bodily state, that summarizes the dialectic of love on which both Béroul's "Tristan" and Chrétien's "Charrette" are based.

The Joy of Love in Béroul's "Tristan" and Chrétien's "Chevalier de la Charrette" / Paradisi, Gioia; Pierre Fuksas, Anatole. - In: JOURNAL OF THE INTERNATIONAL ARTHURIAN SOCIETY. - ISSN 2196-9361. - 1:4(2016), pp. 81-91.

The Joy of Love in Béroul's "Tristan" and Chrétien's "Chevalier de la Charrette"

Gioia Paradisi;
2016

Abstract

The connection between the "joie d'amour" and the bleeding wound defines a proper Pathosformel, an iconic set based on the predeterminated connection between a pleasurable emotion and a painful bodily state, that summarizes the dialectic of love on which both Béroul's "Tristan" and Chrétien's "Charrette" are based.
2016
Tristano; Béroul; Chrétien de Troyes; Lancelot
01 Pubblicazione su rivista::01a Articolo in rivista
The Joy of Love in Béroul's "Tristan" and Chrétien's "Chevalier de la Charrette" / Paradisi, Gioia; Pierre Fuksas, Anatole. - In: JOURNAL OF THE INTERNATIONAL ARTHURIAN SOCIETY. - ISSN 2196-9361. - 1:4(2016), pp. 81-91.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11573/1278579
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